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Installations
Marc Behrens’ … visual art installations are usually touching the verge of bare audibility and encourage the viewer to participate actively with heightening awareness of his/her own auditory perception process. [Nataša Petrešin, Catalogue «Sound in Art», Space–Galéria Priestor for Contemporary Art, Bratislava, SK, 2001] |
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 read more(«Farewell to Post-Colonialism. The Third Guangzhou Triennial», Time Museum/Guangdong Museum of Art, Guangzhou, CN) |
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read more («Mülheimer Profile 2005/Mülheim klingt», Kulturbunker Mülheim, Cologne, D; 7th annual SOUNDplay Festival, Theatre Centre, Toronto, CA) |
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2003
PIOGGIA DI TOPOLÒ / TOPOLOVSKI DAZ / RAIN OF TOPOLÒ with Nikolaus Heyduck sound installation with rain |
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2002
ENTITY K sound installation |
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(Schmuckmanufaktur Kneist, Darmstadt, D)
Simple sound installation. Sound playback controlled by a motion detector accompanying a jewellery exhibition. |
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read more («Sound In Art», Space–Galéria Priestor for Contemporary Arts, Bratislava, SK; WackerKunst, Mühltal, D; Podewil, Berlin, D; Correnti Sonore, Centro Europeo Luciano Ceschia, Tarcento/UD, IT; «Electrograph03», Athens, GR; «Observatori 04», Valencia, ES; «Glück und Konsum», Wiesbaden, D) |
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read more («Sound Art – Sound as Media», ICC InterCommunication Center, Tokyo, JP; INM-Institut für Neue Medien, Frankfurt, D; «Hörgänge», Hermannshof Völksen, D; Galerie t-u-b-e, Munich, D; «Erlanger Hörkunstfestival», Markgraphentheater, Erlangen, D; «b!as Sound Art Exhibition», Taipei Fine Arts Museum, Taiwan) |
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1998
ENTITY INM sound installation |
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(«Salon Vireal», INM-Institut für Neue Medien, Frankfurt, D)
Sound recordings of the server room in the institute were processed and played back in shifting layers over a six-channel speaker system distributed over two and a half building floors. A sound entity that overlaps the actual physical space in at least four dimensions. |
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1998
MODEL FOR A WHITE OUT installation with sound |
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(G-Werk Ost, Frankfurt, D)
Two shelves in an industrial shelving system housing a group exhibition, embraced a neon tube. A transparent text print (an excerpt on attack tactics under difficult weather situations) was glued onto the tube. A peep-hole permitted view to some rice grains in motion on the membrane of a hidden speaker, immersed in intense red light. A high static crackling on a second speaker parasited another artist’s sculpture nearby. |
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1997
TOP DOWN / BOTTOM UP sound installation |
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(Galerie Fruchtig, Frankfurt, D)
Linked to the discovery of the ‹up›/‹down› and ‹top›/‹bottom› quarks, the latter only observed in short-lived matter. Rice grains on the membranes of three bass speakers’ membranes mounted under the planks of a wooden walkway jumped up when sounds occurred on the speakers, affected by wind intensity. |
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1996
VIENNA INSTALLATION with Bernhard Günter sound installation |
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(Path. Anat. Bundesmuseum Narrenturm, Vienna, A)
A sound installation was implanted into several cells of the circular museum building. A stereo source was distributed to 8 channels and manipulated with long delays to create a sound entity moving through the building. |
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read more (version 1: B-Movie, Hamburg, D, version 1.1: Dampfzentrale, Bern; and Shedhalle, Zürich, CH) |
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