MARC BEHRENSAUDIOIMAGEINSTALLATIONOBJECTEVENTTEXT
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Events
Starting with his first performance in 1989, Marc Behrens conceived a number of works set in an open area somewhere between performance, performed installation, public experiment, and concert.
2000
INTEGRATION
Stazione di Topolò – Postaja Topolove», Topolò, Grimacco/UD, IT)
The integration of a hypertechnized conception of sound and a rural village in the forest on the border between Italy and Slovenia.
1995
PROJEKTIONEN
(rraum, Frankfurt, D)
An event with five super-8 film projectors, one square shaped fluorescent screen and a hemispherical acrylic bowl filled with milk. Film loops were either plain white or night blue. Different reactions were elicited from the lighted materials; the milk, for example seemed to change colour into brown. The illusion was produced by one white frame burning inside a projector. The projectors were wired with contact microphones, and their sound amplified.
1994
SCANNING
with Jörg Eberle
(Galerie Gartners, Frankfurt, D)
A decomposition.
SCANNING pt. 1: A sound piece made from recordings of broken glass.
SCANNING pt. 2: The scanning of 20 square metres of acoustically amplified glass sheets mounted on small metal pins, thereby fracturing and fragmenting the glass.
1993
SCANNING
with Jörg Eberle
(Zwischenfall, Bochum, D)
Photo: Andreas Schramm
1992
TRANSMISSION
with Eisenherz
(Borsigallee 33, Frankfurt, D)
The alchemical process was used for outlining the proportions of the sound passages and different actions during this event.
1992
SLAUGHTERHOUSE
(City Slaughterhouse, Wiesbaden, D)
Performance for one actor and one custom-built shredding machine at an event organized for the old part of the Wiesbaden City Slaughterhouse. Initiated by Antoin o’Heocha.
1989
VIRGO
(Kunstfabrik Arheilgen, Darmstadt, D)
Audio-visual performance about the loss of the American Dream for one actor, one speaker, and one toy robot.
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